Edward Hopper

Edward Hopper (July 22, 1882 – May 15, 1967) was a prominent American realist painter and printmaker. While he was most popularly known for his oil paintings, he was equally proficient as a watercolorist and printmaker in etching. Both in his urban and rural scenes, his spare and finely calculated renderings reflected his personal vision of modern American life.

He is famous for capturing the mood and feel of the mid-20th century in his paintings. From lonely diners and hotel rooms to houses on the shore, his paintings lend a vision of what life was like in those times.

Being a young man just out of art school, Hopper first traveled to Paris in the fall of 1906 and remained there until the following summer. He then visited London and ventured across Europe, stopping off in Haarlem, Amsterdam, Berlin, and Brussels. After a second trip to Paris in the spring and summer of 1909, he toured Span during June 1910 before passing the last weeks he would ever spend in Paris. Back home in America, as a struggling young artist reluctantly working as an illustrator, Hopper (according to what little is known of his life at this time) still managed to spend most of his summers in the country, away from the steaming streets of New York.

Hopper painted his watercolors directly while looking at his subjects, which were almost always outdoor scenes: ships, the seashore, a lighthouse, a church, streets, houses, and trees. Having worked in watercolor as an illustrator, he handled the medium with confidence. after outlining his composition with a pale pencil sketch, he improvised as the work progressed, focusing on the recording of sunlight, interested in structure rather than texture. The result of Hopper's improvisatory technique is a spontaneity that does not occur in his oil paintings, a contrast that is especially notable when one compares the occasional oil that Hopper painted based on earlier watercolor compositions. 

Nighthawks

Gas

His choices of subject matter - particularly the places he painted - seem to have been somewhat unpredictable, since they were part of his constant battle with the chronic boredom that often stifled his urge to paint. This is what kept Hopper on the move - his search for inspiration, least painfully found in the stimulation of new surroundings. As he explained to one critic: "To me the most important thing is the sense of going on. You know how beautiful things are when you're traveling."

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